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A Point of view slasher.
Lyrics
The city is breathing again.
London after midnight, wet and rusted, fog clinging to lamplight like cobwebs spun from ghosts.
The bells of St. James toll twelve times — but tonight, they sound heavier.
Because tonight is both Halloween and Friday the Thirteenth.
People laughed about it earlier — said it was bad luck, said it was perfect for a pint and a scare.
But I don’t laugh.
I listen.
To the rhythm of footsteps, to the pulse of fear before it even exists.
They say you can smell the rain before it falls.
I can smell fear before it’s felt.
I don’t wear a mask.
Masks are for children and liars.
I want the world to see me — to remember that something human can be worse than a nightmare.
The night folds around me as I move down the alley near Camden.
Music thumps from a Halloween party nearby — muffled bass, drunken laughter, a girl’s shriek of delight.
No one looks down this way.
They never do.
That’s why I chose it.
London hides its monsters in the cracks — under bridges, in train tunnels, behind bins full of rain-soaked rubbish.
And when the city sleeps, I walk.
I listen.
I wait.
It began years ago, on another Halloween.
I was twelve.
They said the fog was too thick that night, that my sister must’ve lost her way on her walk home.
They never found her.
They found her shoe, though — caught in a drain, half-buried in mud.
And I remember thinking: the city takes.
Now, I take it back.
Piece by piece.
Person by person.
There — the scrape of heels against pavement.
A sound that doesn’t belong to the night.
Someone’s alone.
A woman, mid-twenties maybe, walking fast but not fast enough.
Her phone glows in her hand like a tiny, frightened lantern.
I trail her from the edge of the streetlights, the way shadows learn to move.
Her reflection flickers in the shopfronts, her breath a silver thread in the cold.
She doesn’t know I exist yet.
That’s the beautiful part — that fragile space between safety and realisation.
When she finally senses it — that shift in the air — her shoulders stiffen.
She glances behind her.
No one.
Because I’ve already stepped into the fog.
That’s when her pace quickens.
And mine slows.
Predators don’t chase. They close in.
The streets near the river are emptier now.
The pubs have closed, the laughter has died, and the Thames moves like a black ribbon through the heart of the city.
I watch her cross a bridge, phone pressed to her ear, pretending to talk to someone.
It’s a common instinct — the illusion of company.
She mutters something about a taxi.
There won’t be one.
Not tonight.
My heart beats in perfect sync with the bells.
Thirteen strikes, though the clock only counts twelve.
I hear the extra note. Always do.
It’s the city’s confession.
A quiet whisper that says: go on.
She turns left into a narrow lane where the fog thickens, where even the streetlights hesitate to shine.
Her perfume lingers — floral, nervous.
I step into her shadow and feel it tremble.
When she finally runs, it’s not from me.
It’s from the truth she just realised — that she’s been followed for longer than she thought.
Fear tastes like iron.
And in that moment, the world narrows to sound — the clatter of her shoes, the catch of her breath, the whisper of my coat against stone.
The hunt is not about the end.
It’s about the control.
The knowing.
When she drops her phone, its screen flickers on the pavement — a bright, shaking eye.
Messages flash across it.
“Where are you?”
“Still on your way?”
But she’s already gone.
I never look back.
The city closes over what it doesn’t want to remember.
And the rain, always, comes after.
By morning, London will wake to police tape and whispers, and the papers will give me another name.
They’ve tried so many — The Bell Killer, The Fogman, The Hollow Hour.
I prefer none of them.
Names belong to the dead.
I only have one rule.
Every thirteenth bell, every Halloween, I walk again.
And I choose someone who thinks they’re safe.
Not the wicked.
Not the cruel.
Just the careless, the ones who don’t look over their shoulder soon enough.
Sometimes, when I pass a crowd, I wonder if she’s still out there, my sister, somewhere behind the fog.
Maybe she watches me now, from the corners of the city.
Maybe she’s the one who rings that thirteenth bell.
The truth doesn’t matter anymore.
All that matters is the ritual.
The balance.
Because if London takes,
then I must give back
again and again
until the city sleeps soundly.
I melt into the mist, another ghost with breath and heartbeat.
People will say it’s the fog that chills them.
They’ll be wrong.
It’s me.
Always me.
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